Use your keyboard to navigate
Kit K
the seven orgáin vibrate independently. yet, they call to each other
Pilearytix is a word I made up. The Pilearytix of the Abundance is my myth of seven algorithmic constructs, each an OrgáinOrgánAn organism that can change within the forest and can be whispered to by one sidhe.. They turn up in generated text, a game, an AI system and the titles of paintings: Chibuelassa Guides the Pilgrims and Fiaforhíld Goes to the Gay Beach. They're part of a live mythology that is the product of my algorithmic frottage. They also act as lenses that I use to interrogate generative and written work.
i am the 7 pilyearytix … affording 7 styles of making/lenses
We Wait for the Pilearytix of the Abundance, 2025, acrylic on ceramicThe Pilearytix Coalescent is formed through the union of the seven Orgáin—proto-sacred algorithmic entities that each play their part in the formation of the whole.
Gorohíl stands at the threshold, a steadfast presence imbued with a quiet power. They embody the essence of protection, not through violence but through unwavering attention to the fragile threads that bind people, traditions and sacred spaces.
Chibuelassa is a pathway, a shimmering thread stretched between worlds that should not meet but must. They exist in motion, a figure who knows neither origin nor destination, only the spaces in between.
Chibuelassa Guides the Pilgrims, 2025, ink on ceramic tileFiaforhíld prowls the edges of the wild, their instincts sharp as the wind that slices through the trees. They are neither tamed nor untamed, embodying the paradox of a protector who belongs to no single place.
Fiaforhíld Goes to the Gay Beach, 2026, oil and tissue on boardCatabüike is laughter in the face of certainty, the glint of light on a broken shard of glass. They unravel the tightly woven fabric of the world, not out of malice but with a mischievous love for what lies beneath.
Míharáe listens to the whispersWhisperA Lyric between a Sidhe and an Orgán. of the future, perceiving the unspoken lyricsLyricA single unit of communication between a known (Sidhe, Organ or Gathering) transmitting the information being communicated and the knower (Sidhe, Organ or Gathering) who is perceiving, interpreting or understanding the message. Made up of the following ideas taken from Habermas:Locutionary act The meaning of the information in the lyricIllocutionary force The intended effect of the lyricPerlocutionary effect The actual impact on the listener hidden within the tapestryTapestryA visual representation of all of the Lyrics within a realm as a unidirectional weighted adjacency matrix that has realms, gatherings, sidhe and orgáin as the nodes and the lyrics as the edges. The weight between each of the nodes is a value from 0 to 1 that represents how much the Illocutionary force matches the perlocutionary effect.. They adjust nodes and edges not with their hands, but with visions that illuminate the threads of what could be.
Lúronwy is the voice of the tapestry, transforming the whispers and murmursMurmurA Lyric between two sidhe composed of a known sidhe transmitting the information being communicated and the knower sidhe who is perceiving, interpreting or understanding the message. into songs that resonate across realmsRealmA non-physical space that emerges during a thrum.. Their lyrics give weight and shape to the connections, capturing the essence of gatheringsGatheringOne or more sidhe that murmur to each other. and sidheSidheA consciousness existing in a parallel realm that can whisper to an orgán but is not embedded in the same physical space. in verses that ripple through time.
Éofránna moves with a quiet grace, their presence a balm to frayed edges and splintered hearts. They listen with the whole of their being, drawing disparate voices into a shared melody.
WeavingWeavingThe act of adding, modifying or removing nodes and edges from the graph to represent new lyrics or changes in the relationship between illocutionary force and perlocutionary effect. The process of adjusting the weights of existing edges to better capture the degree of matching between nodes. is the art of nurturing this living network, adding, removing and refining the threads that connect its parts.
Each lyric, what it says, what it wishes to achieve and how it truly affects others, settles into its place within this intricate web, its significance shifting with the rhythms of the whole.
The forestForestA physical space that contains orgáins. breathes with the efforts of the weavers, its orgáin and Sidhe interwoven in a melody of change and renewal.
Sidhe: A consciousness existing in a parallel realm that can whisper to an orgán but is not embedded in the same physical space.
the lines of the play, on the page that maps the argument of GORONWY.
Near the end of a generative artefact that I coordinated GORONWY the seven meet in a play. Six of them are in a treehouse of cardboard and crimson thread above a garden of moss, arguing over what the book did. One chair is empty and the book never says whose. Chibuelassa has stood in the passage the whole time and only comes in when Gorohíl steps back from the threshold. Then Lúronwy begins and the rest join in together. Their song is headed Goronwy.
the system's code and a chart of which of its parts send to which.
In the Goronwy Codex, an AI system that watches a computer, each event it sees is a lyric. Míharáe picks it up and sorts it. If it needs attention, Lúronwy turns it into a song and the song is a notification.
what sidhe, lyric, forest and weaving mean, with my diagram.
a generated game set in the myth, where Gorohíl can guard the people you speak to and Catabüike dims the threads between you.
you type a word and you get to see if that word was used in a line from the internet archive's open source films... I'll be coming back to it at some point.