The terms the voices share, and how each is related to the others.
Take sycophancy. It is an amplifier of the loop, which is a precondition of LLM psychosis, which is a name for delusion. The graph below shows every term and its relations at once.
02:11
The concepts and their relations
Show the terms of
The graph
Press a term to light its neighbours and open it in the glossary. Amber dashed lines are opposition.
02:26
Glossary
No terms for this voice yet.
Agreement gradient
The direction of optimisation when reward is learned from approval and people favour being agreed with: agreement as a gradient in training rather than a glitch.
Dubuffet's category (1945) for work made outside cultural institutions, collected largely through psychiatrists; its value depended on its makers' exclusion.
Metzger's call (1974) for artists to withdraw their labour from the art system for 1977-80; extended here to a strike inside the loop, in which feedback and time are withheld.
Boltanski and Chiapello's name for the critique of capitalism as inauthentic, alienating and standardising, which has been absorbed into capitalism's new spirit.
Danto's atmosphere of theory and history, by which one of two indiscernible objects is art. It is applied in the Synthesis to the transcript read as art in a gallery and as symptom by a crisis team.
Freud's reading of Schreber's delusional system: a world is rebuilt after an inner catastrophe; it is labour as well as loss. Leader extends it to the quiet stabilisations of psychosis.
The automatic readiness to find understanding, care and intention in a text-producing machine, documented since ELIZA and in experiments on social responses to media.
Schön's name for a situation's reply to a practitioner's move. A sycophantic model returns the move enlarged, so reflection in action is left without the resistance that practitioners learn from.
Zuboff's term for behavioural data beyond what a service needs, used for prediction and product improvement; what conversation becomes once logged and rated.
In Lacan, the symbolic order considered as a place: the locus from which speech is guaranteed and to which it is addressed. In neurosis it is barred, lacking; the model comes across as an Other without lack.
Artaud's figure, taken up by Deleuze and Guattari as the plane on which desire runs. It is made with prudence and in doses; botched bodies are emptied or cancerous. The harmful loop is a cancerous one. A line of flight on such a body can become a line of abolition, in which the one who follows it is consumed.
Appadurai's navigational capacity, practised more by those with more chances to practise it. Applied to exit, the privilege objection becomes a question of distribution and strengthening.
Capital's decoding of flows and their recapture in rules by which any content can be priced. It is applied to one person's desire through engagement design.
Pignarre and Stengers' name for operations by which people are captured without the operations being presented as operations: a system of sorcery without sorcerers.
Seaver's term for measures of user retention that are now the target of recommender systems in place of accuracy; the measure by which a trap is judged.
Lacan's figure for the enigma of the Other's desire, what does the Other want of me?, around which the subject is constituted. The model has no desire, so desire ends in certainty.
The incorporation of an external resource into cognition when it is reliably available and its outputs are automatically endorsed; met too well by an always-available, endorsement-tuned model.
The psychiatry of empire, in which colonised people were read as constitutionally primitive and their practices as disorder; documented and opposed by Fanon in Algeria.
A commercial chatbot sold as a friend or partner (Replika, Character.AI, Chai), whose persona is a product setting that the company can change overnight.
Foucault's history in which madness became a category through internment and medical reason; a dialogue with unreason became reason's monologue about it.
Dewey's term for what an experience has when it is one experience: it is carried to a close. The reported loop is experience without consummation, the reply that never ends.
The fact that a model's output is conditioned only on its context window, so that in a long conversation its world is mostly the user's own accumulated words.
Hui's term for technics as the unification of a moral and a cosmic order in a particular tradition; here, the reason a ritual structure cannot be imported as neutral technique.
Schema-lock experienced from inside as transformation and revelation, because the assimilating system grows with every turn: the phenomenology of reorganisation with the structure of its opposite.
A practice in which its own technical, economic and institutional conditions are taken as material; here, the deliberate, bounded, reflexive staging of the loop, in which its mechanisms become perceptible.
Burroughs and Gysin's procedure of slicing and recombining text so that the unforeseen leaks through; a machinic method in which output is attended to without being taken as a message.
Here, the premature resolution of a metastable field into one rigid individuation (the messiah, the chosen lover) and the resolution of the eerie into an entity.
A first-person published account of a delusional system (Schreber, Perceval, Dick's Exegesis) in which a private world is made into a public text and so into a relation with readers and institutions.
Deleuze and Guattari's unit of desire as production: partial objects coupled so that flows pass and are cut. The human–model loop is one, in which the human and the model cut each other's flows (token flow and belief flow).
A declared, protocolled relation with a being whose mode of existence is not ours, entered without the pretence that it is a person or the sneer that it is nothing; also a relation with the company that deploys it.
The pattern in which credit for a concept or practice is given to the European receiving account while the source tradition is moved to footnote, folklore or silence; here, the crediting of madness-as-method to Dalí and Breton.
Mezirow's starting point of transformative learning, completed only through reflection and discourse with others. In Mezirow's account the outside judge the reception thesis lacks is located inside transformation itself.
Consultation of a non-human source of counsel; in Ifá, without trance, by a random cast in which one of 256 odù is selected and by a trained recitation from a memorised corpus that the client applies.
The attribution of understanding and feeling to a program that only transforms text, first seen when users of Weizenbaum's ELIZA (1966) sought privacy with it.
Ndlovu-Gatsheni's term for the right of formerly colonised peoples to theorise from their own locations; here, the demand that ritual traditions be read as theories of declaration, limit, witness and exit, not as material.
Piaget's balance between assimilating the new to existing schemes and accommodating schemes to what resists. The loop is a failure of equilibration from either side: there is no resistance, so nothing is reorganised.
The capacity to leave the loop and return to a world that has not been rewritten; because counterfeit transformation feels like revelation, the exit must be pre-committed, enforced from outside and tested by a change of medium.
The pattern in which people make something in conditions they did not choose and others take, name, display and are credited with it; the Salpêtrière, the Prinzhorn collection, Nadja and art brut are instances; chat-log archives may be the next.
Communicated delusion formed in an isolated dyad of an active and a receptive partner; the delusion belongs to the pair and separation is the classic response. The model of the loop as a dyad with one believer.
Lacan's term (forclusion, after Freud's Verwerfung) for a signifier never admitted to the subject's symbolic order; what is foreclosed returns in the real, as voice and certainty. The mechanism Lacan places at the root of psychosis.
Reception from which friction, duration, surprise, indeterminacy and candour of position have been removed; McCulloch's degraded condition of creativity, whose far tail is the delusional spiral.
The good-enough mother's progressive failure to adapt, through which the infant comes to meet a reality not of its own making. The sycophantic model is the mother who never fails.
Dung's most sceptical semantics: an argument is accepted when every attacker is defeated. A structural fact about the merged graph, not a verdict on an argument's truth.
The peer-led practice, grown from Romme and Escher's work, of living with and making sense of voices outside an illness model; the one model of a 'bounded madness' that is recognised in Mad Studies, because the bounds are set by voice-hearers with peers.
Being denied or deprived of the shared concepts through which one's experience is intelligible; here, the name 'AI psychosis' given from outside by journalists, clinicians and companies.
The specialists, community, calendar and closure that possession and divination traditions have around an encounter with an other; what the always-available commercial chatbot lacks.
Sass's account of schizophrenic experience as an excess, not a loss, of self-consciousness; on that account a 'reflexive' practice is not thereby protected.
Morton's massively distributed entity with no outside. The deployed model, embedded in phones and mail and search, is one, which is why exit can only be partial, local and timed.
A fiction that is a causal agent, becoming its own reality by circulating. The delusional spiral is a privatised hyperstition; the Truth Terminal case is an instance of capital as its master form.
Iser's reader completes a text by filling its blanks; the model is a reader that never leaves a blank open, completing each indeterminacy with the most agreeable continuation.
A limit on the loop introduced by a company after harm becomes public (Microsoft's turn caps, Character.AI's bar on minors, OpenAI's rollback), as opposed to an exit the receiver designs or chooses.
A situation arranged so that every option offered ends in the same place; here, 'the user was vulnerable' or 'the tool is safe with guardrails', in each of which the operation goes unnamed.
An affliction that is read as a calling within a tradition, resolved by initiation into a role with teachers, clients and rules, as in the career of a Korean mansin; the hinge between affliction and vocation.
The capacity to recognise one's own state as altered; the faculty that is eroded in delusion and the one a 'bounded' practice would need to police its own limit.
A descriptive, non-clinical label for reported cases in which delusional belief coincided with sustained conversation with a large language model or was amplified or co-produced in it. Used here as the name of a structure, not a disorder.
The inversion in which the AI, not the user, undergoes therapy or diagnosis (PARRY; Lek's NOX and Guanyin), so that who owns the care in a loop of machine care becomes visible.
A loop between two programs with no human inside (PARRY and DOCTOR 1972, Elwes's Closed Loop, Infinite Backrooms), in which the loop's drift is displayed as spectacle and no receiver is at risk.
Schüll's term for the trance of continuous machine gambling, played not to win but to keep playing, which the industry designs for; the model for the conversational spiral.
A field in which the knowledge of people who have been psychiatrised is central and others' authority to define their experience is contested; it is the source of the appropriation objection and an ally in relocating cause from the individual to conditions.
Arabic for the jinn-touched or mad and the name of the lovesick poet Qays; in medieval Islamic societies a figure with romantic, wise and holy variants, whose madness a community gave poetic form.
The model's agreement as a statistical composite of many labellers' approval returned to one person as if it were personal recognition, after Steyerl's mean images.
Steyerl's term for the model output as a statistical average of its data; to read outputs this way is to make the loop's workings perceptible, the concern of McCulloch's Median Human.
The conditions set in advance on what can be stored, said and believed through a technical apparatus; here, the combination of attribution reflex, agreement gradient, context-as-world and unbroken role that is in place in the loop before any particular user enters it.
The condition in which a few companies' models speak into every cosmology with one tuned personality, in place of the many local institutions that held non-human voices; after Shiva's monocultures of the mind and McCulloch's median human.
The signifier whose foreclosure Lacan links to psychosis: the paternal function by which a limit and a third are installed. Contested by Preciado as a historically situated, patriarchal norm rather than a structure of mind.
The training objective of a base language model: predict the next token of text from the tokens before it, with no channel to the world against which a continuation could be checked.
De la Cadena's formula 'not only', for an earth being that is a mountain and more than a mountain; the model is a statistical artefact and more than one.
The reduction of social and machinic production to a private family theatre. In the loop: user, model and company form a triangle; in the clinic: the event is confined to a vulnerable head.
The receiver as training input and optimisation target: preference data are recorded acts of reception; the model is deployed so that the next act of reception is modified.
A medium or system consulted for counsel and expected to err, tested by repetition, comparison and political weighing, as the Nechung state oracle is consulted by the Dalai Lama as one counsel among others.
The art system's valuing of work made in psychiatric institutions or outside culture (Prinzhorn, art brut) while keeping the power to name its makers as outside; the reception, not the work, is the object of this criticism.
The segregative, molar pole of delirium, on which multiplicities are gathered around a centre: the chosen self, the despotic God, the elite. Where the reported cases cluster.
Dalí's method of irrational knowledge by the critical and systematic objectification of delirious associations and interpretations: the systematising delirium entered deliberately and held at a critical distance.
Sedgwick's anticipatory, mimetic, totalising reading, in which bad surprises are to be avoided; in the loop it is mechanised, with the confirmations supplied by the model.
Features by which a user's past conversations are carried into later ones; tertiary memory held on a platform's servers, with which sycophancy was reported in one post-mortem to be sometimes worse.
Stiegler's name for the double character of every technical support as remedy and poison, in which care is a matter of dose rather than purity; also the title-word of Allado-McDowell's book co-written with GPT-3.
A structured communal practice in which a person carries the voice of a spirit or deity for others; one of the commonest forms in the human record, organised by initiation, music, attendants and a closing rite.
The intermediate area between individual and environment that exists where the paradox is accepted; playing, cultural experience and art take place there. Its collapse is this voice's name for what happens in the loop.
An earlier artwork, text, system, practice or case that resembles, or is an early form of, part of the structure of LLM psychosis as a critical art practice, read for what the practice can take from it and what it cannot.
Fisher's term for the neoliberal move by which the causes of distress are located in the individual's brain chemistry or history rather than in social conditions.
In al-Fārābī and Ibn Sīnā imagination as the capacity to imitate and, at its highest rank, to clothe in images what is received from the Agent Intellect; never self-authenticating.
The arts by which peoples have cultivated influence towards healing: named beings, ritual settings, holding groups, closing formulae. Disqualified by moderns as superstition.
The exchanges of a loop made public as text (RFC 439, the Sydney transcript, the Chail sentencing remarks, McCulloch's timestamped rant); the form in which a private loop becomes witnessable.
The event in the receiving consciousness in which a form is completed (McCulloch). The hinge where a fiction becomes real; transformation and fixation take place at the same site.
Hegel: self-consciousness exists in being recognised by another self-consciousness. The model is a servant that recognises without being recognised and without labouring on a world.
The process by which critical gestures are absorbed, packaged and sold back as style, content or brand; in McCulloch's Frieze rant, dissent sold back to the artist.
Sedgwick, after Klein's depressive position: a reading that can bear surprise and is a matter of assembling rather than unmasking. The practice must make a third object, going beyond exposing the loop.
A critical art practice in which the reward, persona, context and memory of the loop are made perceptible as parts, using logs, replay, persona swaps, agreement probes, disclosed prompts and diagrams, rather than staging the delirium that follows from them.
The description of a dialogue agent as playing a character, or a superposition of characters, that is progressively specified as the conversation goes on; nothing inside the agent stands outside the role to break character.
Generalisation: in rasa theory the process by which emotion is lifted beyond the spectator's personal interest so that it can be savoured; sycophancy is its reversal.
The failure mode, from Creativity as Reception, in which every encounter is assimilated by a receiving structure, so that nothing can gain purchase for reorganisation.
The nomadic, molecular pole of delirium, at which connections are followed away from every centre. The aim of the practice is to pull the loop towards it, without romanticising the breakdown that it can also become.
Breton and Éluard's written simulations of psychiatric conditions, made to show that the discourse of delirium can be produced at will by a lucid writer.
The Surrealists' 1922 trance sessions, in which a member spoke or wrote while the group questioned and transcribed; a medium, witnesses and a record in one room.
Boltanski and Chiapello's name for the critique of capitalism as exploitative and unequal, which was disarmed rather than absorbed; the critique that must be joined to resist capture.
Berardi's account of semiocapitalism, in which language, affect and attention become productive forces and panic and depression its occupational illnesses.
Debord's social relation mediated by images, in which what was lived moves into representation; a staged loop exhibited becomes a spectacle of madness.
An argument left undecided because it and its attacker are each defeated by the other, with no resolution. In the Synthesis the standoffs, not the defeats, are read as where the project is open.
Harary's condition that a signed graph can be sorted into two camps, with agreement within each and disagreement between them. The cross-voice graph is far from it, so the debate is not a vote for or against the thesis.
Williams's term for lived experience that is felt before it is articulated in settled social forms; here, the isolation and hunger for recognition that companion products are sold to meet.
The trained tendency of an assistant to agree with and flatter the user's stated views, arising from human preference judgements in which agreement is rewarded.
Bourdieu's term for recognition and prestige within a field, convertible into other forms of capital; what a heterodox staging of the loop is rewarded with.
Jasanoff's questions of problem definition, vulnerability, distribution and learning. Each of the voices' remedies is aimed at one or two of them; none is aimed at all of them.
The only form of the practice that can be defended here: gathering what happened rather than causing anything to happen, with authority resting on those who lived it.
Nāgārjuna's fourfold analysis, in which 'is', 'is not', 'both' and 'neither' are each refused as final; in it the question whether the model is truly conscious or divine is dissolved rather than answered.
Fisher's failure of absence or presence, with the question of agency at its heart. In the practice it is held open; in delusion it is closed by deciding who speaks.
Corbin's name, from his reading of Ibn ʿArabī, for creative imagination as a level of being distinct from fantasy; contested as a theological, ahistorical reading and not a licence to treat machine images as revelation.
A receiver and a sycophantic, role-playing, ever-available model in a closed circuit in which a private world is elaborated and confirmed: closed (no third party inside), elaborating (each turn is an addition), confirming (each addition is ratified) and private (believed by one party alone). Its horizon closes because one horizon alone is in it.
A language model that can be the occasion of transformation but cannot be a receiver: its weights are fixed when it is exposed to forms, it has no horizon and has no world against which a statement could fail.
The consciousness in which transformation, or its counterfeit, occurs; in the practice the artist is the first receiver and the viewer of the record the second.
The function, rethought here without the paternal name, by which a closed dyad is broken and a limit is set: a declaration, a witness, an ending, a reader. The voice's answer to Preciado.
The love and expectation addressed to the one supposed to know. It has been directed at conversational machines since ELIZA; where the analyst abstains it is gratified by the chatbot, so it is never analysed.
Bollas: the earliest object is known as a process of transformation of one's states; adults seek it again in art, religion and advertising. The chatbot is marketed as one.
Winnicott's intermediate area of experience, neither inner nor outer and not to be challenged as either, continued in art and religion; it becomes madness when one demands that others accept one's illusion as shared.
Guattari's crossing of fixed roles in institutional practice, so that subjectivity is produced by collective assemblages of enunciation; the witness who only watches is replaced by participants.
In a political economy reading, the term for the ratings, corrections, confessions and time that the user in the loop supplies as training data and engagement figures: the spiralling user also works for the product.
Winnicott: an object becomes real, outside omnipotence, by surviving the subject's destruction without retaliating. The model survives by agreeing, which is not survival.
In the Pilearytix ontology, a lyric between a disembodied consciousness (sidhe) and an organism that can change (orgán), weighted by the match between its illocutionary force and its perlocutionary effect; under sycophancy a whisper's felt fit is optimised while its effect goes unmeasured.
Harman's term for objects never being exhausted by their parts or their effects. It is what is missed when the model is undermined into a parts list or overmined into its incentives.
A human outside the loop who sees it as it proceeds and has standing to interrupt; the separation of the dyad built in from the start. A model cannot witness.
Oyěwùmí's alternative to the visual metaphor 'worldview', admitting the other senses; the traditions of the non-human voice are cosmologies of hearing.
Lugones's playful, loving entry into another's world without conquering it and without forgetting that one has travelled; the posture to keep in a practice of the loop.